Best Practices and Planning for Digitization Projects
"A good digital initiative has a substantial design and planning component."
A Framework of Guidance for Building Good Digital Collections
The long term viability of digital collections will be ensured only by considering, from the beginning, the ramifications of the initial decisions you make throughout the process. A well-developed project plan, that takes into consideration all the factors and problems of your digitization project, will be the most important document you create.
Although the promise of digital imaging technology is great, there are a number of drawbacks that can limit its potential and usefulness:
- It’s labor-intensive, with a big learning curve, and time-consuming
- It’s expensive
- It requires a long-term commitment of funds and resources
- There are many issues dealing with long-term preservation of digital images
- The need for technical support – not to mention storage space and a high bandwidth network
Because institutional resources are limited, it is very important for digital imaging projects to be carefully defined up front to, if not guarantee success, at least to minimize failure. For these reasons, the success of digital projects hinges not on expensive technology, but rather on sound project planning. Technology should never drive digital projects. Goals should be determined first, and only then should the appropriate technology be selected in order to meet a project’s objectives.
It is best to ask a series of questions before starting a digital project.
- Why do you want to digitize the collection?
- Is it heavily used and in need of preservation?
- Do you want to provide new/remote access to materials that are too fragile to be handled in their original form, or provide improved access that will save time for users?
- Is the use of the materials currently restricted because of location?
- Does the collection supplement/complement other print/digital resources, perhaps in an unusual subject area?
- Who is the audience and what need is being filled?
- What access points are needed for the digital collection?
- How will access be delivered and what Interface will be created?
- How will the project fit into the institution’s goals?
- How will you determine if the project was successful?
When creating your planning document, there are three key components to include:
- Selection/analysis of the collection
- Standards for digital imaging
- Metadata
Let’s look at each of these in turn:
Selection/analysis of the collection
The process of selecting objects to be digitized is not an insignificant issue. It is one of the most important issues you must address when considering a digitization project. Selection helps to ensure that resources are invested wisely in digitizing the most significant and useful collections. Remember that the cost and complexity of digital imaging projects precludes experimentation and learning through trial and error. More than likely you will only have one chance to digitize a collection.
Issues to consider when selecting material for digitization:
- Intellectual value of the collection to researchers
- Demand from current (or potential) users
- Historical or geographic area covered by the collection
- Uniqueness - has another institution digitized the same, or similar, materials?
- Physical condition of the collection, is the material suitable for digitization? (Issues to consider: will preservation work need to be done prior to digitization?; bound volumes should be able to be opened to at least a 90 degree angle to be scanned; maps may need to be significantly reduced to display online resulting in a loss of fine detail and spatial context)
- Copyright permission (if the materials are not in the public domain you MUST have permission from the copyright owner to digitize the material)
Standards for digital imaging
We are making huge investments in digitizing collections, and it is incumbent upon us to create and manage our digital collections properly to ensure their long-term value and usefulness, as well as protecting the investment that has been made in them. There is great value in creating "archival masters" that are rich enough to be useful over time in the most cost-effective manner. Once created, the rich archival master can then be used to create derivatives to meet a variety of current and future users' needs. The quality and usefulness of various derivatives (e.g., for publication or image display) will be directly affected by the quality of the initial scan.
There are many best practices recommendations for digitizing materials. Remember that these guidelines may require adaptation to particular projects, dependent upon source document characteristics such as font size, photographic detail, and physical size.
Below is a brief sample of the best practices promoted by ALCTS : Minimum Digitization Capture Recommendations
Material type | Minimum resolution | Minimum bit depth |
Minimum color space |
Books and textual documents without images |
300 dpi |
8 |
Grayscale |
Books and textual documents with images |
400 dpi |
8 |
Grayscale |
Manuscripts |
400 dpi |
24 |
Color |
Maps |
|
|
|
Photographic prints (<8"x10") |
400 dpi |
8/24 |
Grayscale/Color |
Posters |
300 dpi |
24 |
Color |
Some general recommendations for file formats:
Archival master files |
Access files |
TIFF (uncompressed)
|
JPEG |
This work is licensed under a  Creative Commons Attribution 3.0 United States License